Richard Strauss – Der Rosenkavalier (Schwarzkopf, Ludwig, Stich-Randall – C.r.: Hebert Von Karajan)

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Richard Strauss – Der Rosenkavalier (Schwarzkopf, Ludwig, Stich-Randall – C.r.: Hebert Von Karajan)

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Richard Strauss (1864-1949) Der Rosenkavalier: Opera in three acts.
Click to activate the English subtitles for the presentation (00:00-02:15)
Act 1
00:00 Einleitung/Introduction
03:26 Wie du warst! Wie du bist!
06:23 Du bist mein Bub’, du bist mein Schatz!
12:02 Der Feldmarschall sitzt im krowatischen Wald
16:12 Quinquin, es ist ein Besuch
18:01 Selbstverständlich empfängt mich Ihro Gnaden
26:18 Hat Sie schon einmal
27:13 Macht das einen lahmen Esel aus mir?
30:10 Geben mir Euer Gnaden den Grasaff da
31:55 Wollen Euer Gnaden leicht den Jungen Herren da
33:18 I komm’ lei … Drei arme adelige Waisen
36:15 Di rigori armato il seno
38:15 Als Morgengabe
41:17 Mein lieber Hippolyte
44:56 Da geht er hin, der aufgeblasene schlechte Kerl
50:13 Ach, du bist wieder da!
55:53 Die Zeit, die ist ein sonderbar Ding
58:19 Mein schöner Schatz
1:02:38 Ich werd’ jett in die Kirchen

Act 2
1:10:05 Einleitung/lntroduction
1:10:43 En ansta ein gosser Tag
1:11:53 In diser feierlichen Stunde der Rüfung
1:15:36 Mir ist die Ehre widerfahrn
1:22:56 Ich kenn’ Ihn schon recht wohl
1:26:58 Jett aber kommt mein Herr Zukünffger
1:29:58 Brav, Faninal, er weiss, was sich gehört
1:34:28 Wird kommen über Nacht”
1:36:36 Hab’ nichts dawider
1:40:22 Was Sie ist … Mit Ihren Augen voll Tränen
1:44:03 Herr Baron von Lerchenau!
1:51:47 Er muss mich pardonieren
1:58:10 Da lieg’ ich!
2:04:57 Da … Herr Cavalier!

Act 3
2:09:47 Einleitung und Pantomime/lntroduction & Pantomime
2:16:34 Hab’n Euer Gnaden noch weitre Befehle?
2:19:08 Nein, nein, nein, nein! I trink’ kein Wein
2:20:40 Ach, lass Sie schon einmal das fade Wort!
2:23:59 Die schöne Musi!
(2:26:46 Wie di Stund’ hingeht
2:31:39 Oh weh, was maken wir? … Halt! Keiner dihrt sich!
2:37:15 Sind desto eher im Klaren
2:38:59 Muss jett partout zu ihr! lhre hochfürstliche Gnaden
2:49:02 Ist halt vorbei
2:51:39 Mein Gott, es war nicht mehr als eine Farce
2:53:58 Heut oder morgen oder den übemächsten Tag
2:58:31 Marie Theres’! … Hab’mir’s gelobt
3:04:35 Ist ein Traum, kann nicht wirklich sein
3:08:24 Ist ein Traum … Spür nur dich

Die Feldmarschallin: Elisabeth Schwarzkopf, Sopran
Der Baron Ochs auf Lerchenau: Otto Edelmann, Baß
Octavian: Christa Ludwig, Mezzosopran
Herr von Faninal: Eberhard Wächter, Bariton
Sophie: Teresa Stich-Randall, Sopran
Marianne: Ljuba Welitsch, Sopran
Valzacchi: Paul Kuen, Tenor
Annina: Kerstin Meyer, Alt

Philharmonia Chorus
Chorus master: Wilhelm Pitz
Chorus of Children: Loughton High School for Girls & Bancroft’s School
Philharmonia Orchestra
Herbert Von Karajan
Recorded in 1956, at London

The Knight of the Rose unites the most supreme elegance with the most painful vertigo, that of time slipping away on the skin, between the fingers, between lives. It is all this and a thousand other things that some of us have learned from this recording, which remains the benchmark that has never been called into question, despite the many other Knights who have appeared with the rose of their emotions in their throats, voices and hearts. Karajan is aristocratic, refined, but also playful, even playful, pulling all the orchestral strings of a miraculous score with emotion that is never underlined but prepared, so that it can blossom from the music itself and seize you in this quivering, endless turmoil that spreads from this painfully tender work.

And then, of course, there is the splendid cast, down to the smallest roles, with the gifts of Teresa Stich Randall as Sophie, or Christa Ludwig as Octavian, whose every inflection is inhabited – and above all, the Marshal of all nostalgia, Elisabeth Schwarzkopf, with her voice of silvery silk, this almost volatile yet embodied fluidity of timbre, this harmony with the instrumental lines, and this singing which is connivance and confidence.

How can one not be moved by her monologue at the end of the first act, this sweet sadness that takes hold of her when, on a carpet of ecstatic strings, she thinks of the passing of time, of the time that slips over her shoulders (“Die Zeit, die ist ein sonderbar Ding” (Time is a strange thing), this time, she says, that “trickles down on our faces, that trickles down on the mirror, that trickles down between our temples… “with this sudden desperate admission: “Sometimes I get up in the middle of the night and stop all the clocks… “

But there is so much to tell about this recording, one of the most absolutely moving in the history of the record, the end of the first act, but also the presentation of the Rose, the Octavian-Sophie dialogue, the animation of the inn, the sublime trio of the last act – everything, everything, everything: not one second is pure gold.

Richard Strauss PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxPmWq4lduYtb5hd2c4l-_mm

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